[Made a comment to a date about “the artlessness of undisguised enthusiasm.” He: “Is there really no such thing as artful enthusiasm? That would be sad.” The next day I wrote this.****]
Selected Artful Enthusiasms of Michelmas Van Der Boten
1. Following a mishap with the fondue, six (6) rose bushes brushed with turpentine and set on fire at five-minute intervals, in honor of his mother’s natal day.
2. Assorted giraffes of papier mache and wire deposited on the doorstep of Miss Clement (third grade teacher) by the light of a gibbous moon.
3. (Destroyed*) “Portrait of Elana Hutu, Aged 10.” Salt & flour on Formica.
4. Theft (in 2” vertical sections, stealthily jigsawed) of the Madonna and Child panel from the Church of Our Lady of the Wayward Lamb, their reassembly and subsequent presentation to a singularly unappreciative Elana Hutu.
5. Successful separation and approximately equidistant arrangement on the carpet of 194 3mm-long, 0.5mm-thick magnetized stainless steel diamonds, as documented by Dr. Charles Fenton, PhD, LMFT. The following syllables were also uttered: “Nn.” “Fffft.” “Puh.”
6. (Attributed) Rhymed pentametric declaration of love as recited to Elana Hutu upon rumors of the successful termination of her pregnancy by the widely beloved AP English Teacher whom she insisted on referring to, then and in the future, as “Jack.”**
7. “Women Bathing.” Digital photographs of various female residents of Spencer House, in particular one Elana Hutu. Property of the Swarthmore College Office of Student Affairs.
8. “Grace & Disgrace in the Still-Developing Biography of Elana Hutu.” Undergraduate Honors thesis.***
9. (See Fig. 2) Hand-crocheted lace veil to be worn by Elana Hutu on the occasion of her wedding to the venal and handsome Zed Spiska. Note elaborate carrot detail at edging.
10. “Thirty-two Minutes for Thirty-two Degrees.” 32-minute interpretive dance for Elana Hutu as she waited one February night by the side of SR-77, weeks after her divorce, for AAA to come change her tire.
11. “I Do Not Fear Your Restraining Order, Elana.” Short film. Property of the New Hampshire State Police.
12. “Man’s Death Via Malfunctioning Handmade Automaton Declared Suicide.” The Concord Monitor. We might here debate causality. The elliptical and the inevitable and so forth.
13. Let us include in Michelmas’s oeuvre Elana’s memories of same, scant as her comment was after the fact. We’ll respect her privacy and infer her lament. Or hope for it—even if (to paraphrase Michelmas’s journals) reflection was not her wont. By then he was a realist, though he never wore it well.
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* Mrs. Van Der Boten was, by all accounts, a vigilant housekeeper
** his real name
*** not approved for degree consideration
**** but did not send it to him, for fear of seeming too enthusiastic